A new masterpiece for Munich’s State Collections of Antiquities

Munich, 02.12.2025

December began at the State Collections of Antiquities with an event at which Director Florian Knauß presented an extraordinary new acquisition to the public. Extraordinary above all because it is rare and also fills a gap in the world-famous Munich vase collection. We are talking about fragments of a krater, i.e. a large Greek wine mixing vessel, which was purchased with the support of the Ernst von Siemens Kunststiftung and the Verein der Freunde und Förderer der Glyptothek und der Antikensammlungen München. The Secretary General of the Art Foundation, Dr. Martin Hoernes, expressed his delight at this and explained the significance of the new acquisition:

Fragment of the crater by the painter of the New York Nessos amphora depicting the sacrifice of Polyxena

“Acquisitions of artifacts of such great age, of high painterly quality and with identifiable depictions are rare. This fragment of a Proto-Attic krater by the hand of the painter of the New York Nessos Amphora is an ideal addition to the Staatliche Antikensammlungen and perfectly complements the existing collection with an important example of early Greek art from the 7th century BC”.

In fact, as Florian Knauß explained in detail in his presentation, the complex pictorial narrative depicted on the vessel is one of the oldest in Greek art. In the main image, we see young men dragging a woman away to offer her as a human sacrifice. Based on comparisons, the scene can thus be assigned to the Trojan myths, which include two prominent examples of such human sacrifices, Iphigenia and Polyxena. In addition to this thematic classification, Knauß emphasized the prominent art-historical position of the fragments within Greek vase painting. This was in an experimental phase at the end of the 8th and in the first half of the 7th century BC. Traditional geometric systems of order had given way to new forms of decoration and pictorial themes, which often showed the influence of oriental models. Athens, where large-format, occasionally polychrome images of Greek myths appeared on the vases, had taken a special path at the time. The fragment by the painter of the New York Nessos amphora, who was one of the most innovative representatives of this type of vase painting in Athens at the time, should be viewed against precisely this background.

In order to illustrate the gap that the newly acquired fragments fill within the Munich vase collection, they have been correctly positioned in the original location of the vessel and embedded in a single display case in the section of the permanent exhibition dedicated to the early Greek period. This area was conceptually redesigned for this purpose and a new approach to museum presentation was adopted, which can also be seen as a pointer to the urgently needed general refurbishment of the State Collections of Antiquities.

Exhibition venue:
Staatliche Antikensammlungen München.
Königsplatz 1
80333 Munich
www.antike-am-koenigsplatz.mwn.de

Opening hours:
Tue to Sun: 10 am – 5 pm
Wed until 8 pm
Admission: € 6,- / € 4,-; up to 18 years free; Sun € 1,-

Press contact:
Prof. Dr. Oliver Hülden
Staatliche Antikensammlungen und Glyptothek
Katharina-von-Bora-Str. 10
80333 Munich
huelden@antike-am-koenigsplatz.mwn.de

Greek temples. Black and white photographs by Richard Berndt in the Glyptothek

Press release from 04.11.2025

Press release on the exhibition

The special exhibition “Greek Temples. Black and White Photographs by Richard Berndt in the Glyptothek” will open on Tuesday, November 11, 2025, 19:00 at the Glyptothek Munich.
Welcome by Dr. Florian Knauß (Director of the State Collections of Antiquities and Glyptothek) and introduction by Dr. Wolfgang Urbanczik.

It has become a tradition to juxtapose the ancient originals in the Glyptothek with works of contemporary art at regular intervals. In the exhibition “Greek Temples”, Richard Berndt, an ambitious amateur, presents his black and white photographs of ancient sanctuaries and takes us back to Greece and lower Italy. Ancient sculpture thus meets ancient architecture, which usually provided the setting for its installation. In other respects, too, the location for the presentation of such photographs could hardly have been better chosen, with the neoclassical Glyptothek and its façade inspired by Greek temple architecture.

The temples of the Greeks, which have usually only survived as ruins, are among the most impressive images that remain in the memory of a trip to ancient Greek sites. Richard Berndt has captured some of them with his camera in a very unique way: The large-format images show details and thus draw the eye to the diverse details of Greek temple architecture. Some well-known temples can therefore only be identified at second or third glance. The detail that Richard Berndt literally brings out with his camera allows the viewer to discover both the new and the familiar in the selected temples – a very similar experience to the one that visitors can have on their hundredth visit to the Glyptothek when looking at a supposedly very familiar sculpture. In this way, the exhibition opens the eyes to the undiscovered in the familiar.

Exhibition duration: 12.11.2025 – 8.02.2026

The exhibition is accompanied by a brochure with background information on the temples depicted.

You can download this press release and printable, royalty-free images of the exhibition for editorial use here: https://t1p.de/9z3z9

Please note the information in the photo index enclosed.

Photos and films will be taken during the event for public relations purposes.

Exhibition venue:
Glyptothek
Königsplatz 3
80333 Munich
www.antike-am-koenigsplatz.mwn.de

Opening hours:
Tue to Sun: 10 am – 5 pm
Thu until 8 pm
Admission: € 6,- /4,-; up to 18 years free; Sun 1,-

Press contact:
Prof. Dr. Oliver Hülden
Staatliche Antikensammlungen und Glyptothek
Katharina-von-Bora-Str. 10
80333 Munich
huelden@antike-am-koenigsplatz.mwn.de